Scott Joplin Biography

Scott Joplin Biography


Scott Joplin

Scott Joplin (November 24, 1868 - April 1, 1917) remains the best-known ragtime musician and composer, setting the standard for the many who followed.

Joplin was born near Linden, Texas to Florence Givins and Jiles Joplin. He was the second of six children.

After 1871 the Joplin family moved to Texarkana, Texas and Scott's mother cleaned homes so Scott could have a place to practice his music. By 1882 his mother had purchased a piano. Showing musical ability at an early age, the young Joplin received piano lessons for free from a German music teacher, who gave him a well-rounded knowledge of classical music form. This is something that would serve him well in later years, and fuel his ambition to create a "classical" form of ragtime. He would later further his musical education by attending the George Smith College in Sedalia, studying composition.

By the late 1880s Joplin had left home to start a life of his own. He may have joined or formed various quartets and other musical groups and travelled around the midwest to sing. What is known is that he was part of a minstel troupe in Texarkana around 1891. In 1895, Joplin was in Syracuse, New York, selling two songs, Please Say You Will and A Picture of Her Face.

But despite all this travelling, his home base was in Sedalia, Missouri where he moved in 1894, working as a pianist in the Maple Leaf and Black 400 clubs, both social black clubs for respectable gentlemen.

By 1898 Joplin had sold six pieces for the piano, most very advanced tunes that were fine musically, but not anything special. Of the six, only Original Rags is a ragtime piece. The other five were two songs (mentioned previously), two marches, and a waltz.

In 1899, Joplin sold his most famous piece, Maple Leaf Rag to John Stark & Son, a Sedalia music publisher. Joplin received a one-cent royalty for each copy and ten free copies for his own use. It has been estimated the Joplin made $360 per year on this piece in his lifetime.

Maple Leaf Rag boosted Joplin to the top of the list of ragtime performers and moved ragtime into prominence as a musical form. Joplin continued writing and publishing, and in those days before recorded music was a best-selling composer based on sales of sheet music. Joplin continued to experiment with other musical forms as well; after moving to New York City, Joplin attempted an ambitious ragtime opera, Treemonisha, which he produced himself at great personal expense. It was performed only once during his lifetime, in 1915.

Joplin wanted to experiment further with compositions like Treemonisha, but by 1916 he was suffering from the effects of terminal syphilis. He suffered later from dementia, paranoia, paralysis and other symptoms. Despite this, he recorded six piano rolls that year - Maple Leaf Rag (for Connorized and Uni-Record labels) Something Doing, Magnetic Rag, Ole Miss Rag, and Pleasant Moments (all for Connorized). These are the only records of his playing we have, and are interesting for the embellishments added by Joplin to his performances. A surviving copy of the 'Pleasant Moments' roll has not yet been discovered.

Some piano rolls, such as one of the recordings of the Maple Leaf Rag mentioned above, were cut with the mistakes intact. It unintentionally became a sad document of the extent of Joplin's deterioration due to syphilis, yet also gives us a glimmer of his performance style. He did not, as is popularly believed, stick to the strict written interpretation of his work, and would add embellishments here and there.

In mid-January he was hospitalized at Manhattan State Hospital in New York City, and friends recounted that he would have bursts of lucidity in which he would jot down lines of music hurriedly before relapsing. Joplin died there on April 1, 1917. His death did not make the headlines for two reasons: ragtime was quickly losing ground to jazz and the United States would enter World War I within days. He was buried in St. Michael's Cemetery in the Astoria section of Queens.

Joplin's musical papers, including unpublished manuscripts, were willed to Joplin's friend and the executor of his will, musician and composer Wilber Sweatman. Sweatman took care of these papers and generously shared access to them to those who enquired. However these were unfortunately few, since Joplin's music had come to be considered passe. After Sweatman's death in 1961 the papers were last known to go into storage during a legal battle among Sweatman's heirs; their current location is not known, nor even if they still exist.

There was, however, an important find in 1971--a piano-roll copy of the lost "Silver Swan Rag," cut sometime around 1914. It had not been published in sheet-music form in Joplin's lifetime. Before this, his only posthumously published piece had been "Reflection Rag", put together by Stark in 1917 from fragments of Joplin melodies in Stark's archives.

After Joplin's death ragtime music experienced two bursts of popularity: once in the early 1950s when ragtime was regarded as a happy nostalgic music of a more innocent time. The second ragtime revival was prompted by the release of the movie The Sting in 1973, which despite being set in the 1930s still anachronistically featured a Joplin soundtrack and introduced new generations to his music. Marvin Hamlisch's adaptation of the Joplin song "The Entertainer" reached number 3 on the Billboard magazine Hot 100 music chart in 1974, and a much wider and deeper interest in ragtime in general and Joplin in particular was created.

Joplin's music:
Antoinette (1906)
Augustan Club Waltz (1901)
Bethena (1905)
Binks' Waltz (1905)
A Breeze From Alabama (1902)
Cascades (1904)
The Chrysanthemum (1904) dedicated to Freddie Alexander, Joplin's second wife.
Cleopha (1902)
Combination March (1896)
Country Club (1909)
The [Great] Crush Collision March (1896)
The Easy Winners (1901)
Elite Syncopations (1902)
The Entertainer (1902)
Eugenia (1906)

Euphonic Sounds (1909)
The Favorite (1904)
Felicity Rag (1911) with Scott Hayden
Fig Leaf Rag (1908)
Gladiolus Rag (1907)
Harmony Club Waltz (1896)
Heliotrope Bouquet (1907) with Louis Chauvin
I Am Thinking of My Pickanniny Days (1902) lyrics by Henry Jackson
Kismet Rag (1913) with Scott Hayden
Leola (1905)
Lily Queen (1907) with Arthur Marshall
Little Black Baby (1903) lyrics by Louis Armstrong Bristol
Magnetic Rag (1914)
Maple Leaf Rag (1899)

March Majestic (1902)
The Nonpareil (1907)

Original Rags (1899) arranged by Chas. N. Daniels
Palm Leaf Rag (1903)
Paragon Rag (1909)
Peacherine Rag (1901)
A Picture of Her Face (1895)
Pine Apple Rag (1908)
Pleasant Moments (1909)
Please Say You Will (1895)
The Ragtime Dance (1902)
The Ragtime Dance (1906) this version was shortened and published to recoup
losses from the 1902 version.
Reflection Rag (1917) posthumous publication
The Rose-bud March (1905)
Rose Leaf Rag (1907)
Sarah Dear (1905) lyrics by Henry Jackson
School of Ragtime (1908)
Searchlight Rag (1907)
Silver Swan Rag (1971) posthumous publication
Solace (1909)
Something Doing (1903) with Scott Hayden
Stoptime Rag (1910)
The Strenuous Life (1902)
Sugar Cane (1908)
Sunflower Slow Drag (1901) with Scott Hayden
Swipsey (1900) with Arthur Marshall
The Sycamore (1904)
Treemonisha (1911)
Wall Street Rag (1909)
Weeping Willow (1903)
When Your Hair Is Like the Snow (1907) lyrics by "Owen Spendthrift"

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Scott Joplin Piano Sheet Music
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    Scott Joplin: Complete Rags for Piano  Composed by Scott Joplin (1868-1917). For solo piano. Schirmer's Library, volume 2020. Format: piano solo songbook. With introductory text. Ragtime. 196 pages. 9x12 inches. Published by G. Schirmer, Inc.
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    Scott Joplin: The Entertainer - From "The Sting"  Composed by Scott Joplin (1868-1917), arranged by Gunther Schuller (1925-). For piano. From the motion picture "The Sting". Format: piano solo single. Ragtime and Movies. C Major. 5 pages. 9x12 inches. Published by Warner Brothers.
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    Scott Joplin: King Of Ragtime For Easy Piano  Composed by Scott Joplin (1868-1917), arranged by Lawrence Grant. For piano. Format: piano solo book. With fingerings. Ragtime. 32 pages. 9x12 inches. Published by Ashley Publications, Inc.
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    Scott Joplin: 18 Rags In Easier Versions  Composed by Scott Joplin (1868-1917), arranged by Lawrence Rosen. For piano. Format: piano solo book. With introductory text. Ragtime. 84 pages. 9x12 inches. Published by Schirmer.
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    Scott Joplin: Ragtime Solos And Duets  (20 Scott Joplin Favorites) Composed by Scott Joplin (1868-1917), arranged by Jerry Silverman. For C instrument duet (flute, recorder, oboe, violin, mandolin, harmonica). Format: C instrument duet songbook. With duet notation and chord names. Ragtime. 62 pages. 9x12 inches. Published by Schirmer.
    Scott Joplin: Maple Leaf Rag (Original Version)  Composed by Scott Joplin (1868-1917). For solo piano. Format: piano solo single. Ragtime. Ab Major. 6 pages. 9x12 inches. Published by Hal Leonard.
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    Scott Joplin: The Sting  Composed by Scott Joplin (1868-1917), arranged by Gunther Schuller (1925-), Marvin Hamlisch. For piano. From the motion picture "The Sting". Format: piano solo book. With black & white photos. Movies and Ragtime. 34 pages. 9x12 inches. Published by Warner Brothers.
    Janis Joplin: The Best Of Janis Joplin  Performed by Janis Joplin. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar notation legend. Classic Rock and Blues Rock. Series: Hal Leonard Guitar Recorded Versions. 112 pages. 9x12 inches. Published by Hal Leonard.
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    Janis Joplin: Janis  (A Collection of 16 Janis Joplin classics) Performed by Janis Joplin. For voice, piano and guitar (chords only). Sheet music editions- not transcriptions. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams and black & white photos. Classic Rock and Blues Rock. 88 pages. 9x12 inches. Published by Hal Leonard.
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    Scott Joplin: Ragtime for Violin  (6 Scott Joplin Rags) Composed by Scott Joplin (1868-1917), arranged by Itzhak Perlman. For violin solo and piano accompaniment. Format: violin solo book. With standard notation and piano accompaniment. Ragtime. Series: Great Performer's Edition. 40 pages. 9x12 inches. Published by G. Schirmer, Inc.

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